I move between mediums: drawing, photography, textiles—different ways of shaping visibility from feeling. I’m drawn to work that shows its making: hesitation, texture, time. My capacity shifts, so my process shifts; wholeness isn’t consistency but honesty to the moment. A year-long daily “hands” scrapbook became a practice of return—repeating, witnessing, letting the same idea reappear differently. I’m interested in translation: how something internal becomes tangible and still holds truth.

In small details, and what they reveal without intention. In paying attention until things change shape—become symbols, metaphors, bridges between ideas. In repetition: daily rhythms, return, the slow accumulation of lived time. A body in flux crystallizes these shifts—expansion, contraction, return.

Craft softer conditions for sustained making: some toward the quiet care that allows me to work without intrusive interruption from health constraints; some toward materials, space, and stability, so ideas can be followed through instead of cut short at the edge of resources. I would expand long-form, multi-medium work like my year of “hands,” letting it grow at its own pace. The aim is continuity—work that can fully arrive.