I make mixed media pieces that feel like controlled chaos—raw, layered, and a little unpredictable. I love blending textures, metals, found materials, and paint to create something that looks broken but intentional. My favorite work lives in that in-between—where damage turns into beauty, like my Kintsugi-inspired pieces. It’s not about perfection, it’s about energy, history, and making something honest that hits you before you even understand it.

I find inspiration in the cracks—real life, mistakes, and everything imperfect. Growing up in New York, surrounded by grit, art, and constant motion shaped how I see beauty. I pull from people, streets, music, love, loss, and the weird little moments most overlook. My life, my past, even my struggles—they all feed the work. I don’t chase perfect ideas, I chase feeling, and then turn it into something you can see and touch.

If I were awarded the $25,000, I’d use it to create both stability and momentum. A portion would go toward clearing essential bills, giving me the breathing room to focus fully on my work. I’d invest in a dedicated studio—an actual space to build, experiment, and scale the kind of pieces I’ve been developing but haven’t had the resources to fully realize. I’d also purchase quality materials and tools to bring those ideas to life at a higher level. And put some away for my daughter. CD or IRA.