Art is imperative for myself, as a natural part of being in and processing the world, and it is necessary to let the world know who we are.
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I don’t stick to one medium—I chase a condition where things feel slightly off. I work with clothing, performance, and text, treating them all as material. Garments become sculptures, costumes become bodies, and language slips between poetry and joke. I’m interested in that moment when something familiar stops behaving and meaning loosens—when it clicks and doesn’t at the same time.
Where do you find inspiration?I pull from what’s already around me, clothing, overheard language, everyday objects carrying human residue. I’m drawn to how meaning gets assigned and misread. Inspiration shows up in small glitches: a phrase that feels off, a garment that suggests a body, a social moment that doesn’t quite land. Those cracks in the familiar are where things start to open.
What would you do with $25,000?I would like to upgrade my studio space so I can create larger works, and create simultaneously sustainable branches of my practices that can fund each other and make it easier to create as I see fit. I would also like to fund more marketing of my work to reach curators and gallerists outside of my current area of influence, (become more national/ international.)
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